In a surprising turn of events, the promising retro-futuristic adventure game, The Midnight Riders, has been canceled by NetEase, leading to the closure of Bad Brain Game Studios. This decision highlights the precarious nature of game development, especially for indie studios reliant on funding and partnerships. Despite the setback, studio head Sean Crooks remains hopeful, sharing a sizzle reel in an effort to attract new investors and keep the dream alive.

In the ever-evolving landscape of mobile gaming, keeping players engaged is a top priority for developers. AppMagic has unveiled its strategies for puzzle game development in 2025, focusing on innovative gameplay mechanics and enhanced social features. These elements are crucial for creating an experience that not only challenges players but also fosters a sense of community, encouraging them to return time and again. The emphasis on social features is particularly noteworthy.

The recent management buyout of The Chinese Room marks a significant moment in the indie gaming landscape. Known for their critically acclaimed titles like Dear Esther and Everybodys Gone to Rapture, the studio has now regained its independence from Sumo Digital, allowing it to pursue its creative vision without constraints. This move not only highlights the resilience of indie developers but also underscores the importance of maintaining creative control in an industry often dominated by larger corporations.

Phasmophobia, the co-op ghost-hunting game that took the gaming world by storm, emerged from an unexpected place: the mind of a developer who doesn’t even enjoy horror games. Daniel Knight, the lead developer, initially set out to create a social co-op puzzle game, and the horror elements were merely a happy accident. This unique approach has not only redefined the horror genre but has also made Phasmophobia a memorable experience for players around the globe.